rooted series is back with a really fresh v/a ready for rock the dance floors.
this time starts with label mate dakpa (rooted/sukhumvit) who brings a really rolling house track with great ambiances. a2 comes with in haus wax label boss tijn with a minimal chords house with great senses. b side arrives with our partner rickzor who builded a great old school house track full of groove. the release ends with label boss bolumar who brings another old school house feeling track.

003 is en route and third time is definitely a charm for the entity crew. monika ross heads this resident�s ep with a combo purely for the dance-floor - ever after receiving some wonderful remix treatment from dutch maestro julian alexander to cap off round 3 for the london label.

this record is the result of an undeniable desire to uncover a once lost and forgotten gem from beyond the dust. to recover the magic underneath, that has never grown nor subsided and doesn�t belong to anything but itself. a love story between two music labels that found each other in this blissful journey, lossless and something happening somewhere are here to presents the next chapter in their findings. uzoamaka is an original track by king britt from 2002, that still remains as fresh and uplifting as it was 15 years ago. nuno dos santos (sohaso) has been in love with the sonic narrative since it was released, but felt the urge to bring the transformative beauty to a wider audience. in an attempt to recover the original, the original master and pre-master turned out to be lost by the waves of time. calyx mastering have remastered the music straight from vinyl, keeping the raw charm of the original but giving it a sonic facelift to fit with modern standards, also making it available in the digital format for the first time since it�s release. the original by king britt is an ode to the ritual of dance music in it�s purest form. with vocals panning across the stereo field that preach �sing, dance, be, free to dance�, it resonates with the primordial human playfulness, joy and expression in all of us. teasing with a melodic bassline, almost reaching twelve minutes running time, it�s a modern hymn that never fails to mesmerize and bring people�s spirit together. besides remastering the original, it gave the opportunity to invite other artists to retell the story. this time the mighty dixon gives the original track an update for modern dance floors. pushing the groove to the foreground, adding some extra percussion and drive while letting the choir guide you to a monumental break in which the chord suspends in the air. �free to� free to� free to�� nuno dos santos has used his magic touch for a short beat edit, which focusses the whole affair on the groove even more. a powerful tool to add some impact to tracks or to break up an otherwise repetitious dj set. mathias schober is back under his sb alias, carefully tightening and shortening the original version from 2002 with his edit to create a version that celebrates the quality of the elements. pushing and pulling, enhancing the entrancing effect of the musical soul.

seth troxler�s agenda setting play it say it label is back with more summer heat, this time from detroit based duo ataxia. hailing from detroit, this pair has recently played the famous movement festival in their home city for the fifth time, work with top labels like nervous records and culprit la and have already impressed with a fine ep on leftroom this year. their sound is designed to get the party started, and after already releasing on this label in 2016 they are now back with three more essential tracks. up first, the terrific �time original� is a fluid and wriggling tech cut with busy synth lines scurrying about over driving drums. it�s dark and freaky with poised chord stabs and the whole thing cannot fail to get floors moving. then comes �supertouch�, which is a superbly slick acid number. weird bleeps and clipped vocals add an unhinged edge to the urgent rubbery drums and the whole thing is a mind melting number that will take any set to the next level. last of all is the vital �villains�, seven inventive minutes of gurgling bass, alien sound design and wonky synth lines that all warp around each other and melt your mind as they do so. colourful and full of character thanks to a rapped vocal line, this one is a real party anthem in the making. across all three cuts here this talented duo really show off their wide range of studio skills in some style.

r.o.s.h. returns with two anthemic uk-leaning 4/4 productions. following last year�s debut release on bristol�s drumz for eternity label, herts based r.o.s.h. broadens his release schedule via two tracks that establish a common thread of unique top end melodies coupled with swinging, uk funky indebted percussion and pure peak time atmospherics. �winona�s love (stranger things mix)� launches with an audacious mixture of circling john carpenter synths and rolling �09 era uk funky percussion coming across as one part london legend apple to two parts prime eighties repo man. honed berlin kick drums and low swung bass hits combine to create a constantly driving concoction of ceiling banging techno all tied together with the distinctive infectious synth work that�s fast becoming a r.o.s.h. staple. creating a fully fledged dance floor homage to netflix s most popular sleep competitor is the young producer�s raison d�etre across this release. �amg (a45 mix)� goes in for the kill with rattling percussive stabs and tweaked woodblock snares winding up the drama before the rumbling techno breakout at the one minute mark. it s a return to the rude form of uk funky s heyday, with colossal amounts of sub and every element driven to a singular purpose, to move bodies in the dance.

there are not many conventional rules in the world of dutch dj/producer dj marcelle/another nice mess, or they have to be her own, but which she is more than happy to break at any time she fancies. for the past 15 years she has been travelling around europe and beyond, playing her brave three turntable sets in front of often both stunned, surprised and euphoric audiences. she is an original, skilled mixer, with a very distinctive style of her own, avoiding most dj-cliches and stale rules.

second installment of spanish imprint de profundiis, this time signed by madrid s duo uanamani in which they tell us a musical story about the mysterious underground labyrinth of hawara. a gigantic ancient construction underneath a necropolis in the region of el fayum, egypt. quoted by many chroniclers of antiquity, is believed to be a monument of colossal dimensions, and probably the key that would prove the existence of an unknown precedent civilization with a few vestiges around the area.
the record is focused around 4 subterranean tracks which alternate between intense moments of epic mythology and more ambiental and introspective passages, with sound artifacts found in the various secret chambers and pharaonic tombs. a journey with analogic vs digital rhythms, dreamy pads, minimalistic and ritual details, enigmatic drones, mummified keys and synths submerged in millennial history and archaic poetry. an experience for the intrepid travelers of the past and future times.
hand-stamped white label release.

quite scarce and demanded record from os apolos recorded in the netherlands. featured an off the hook afro beat song time of war . limited warehouse find, these records have been remaining for years in original boxes straight from the press plant, never played mint condition.

2021 repress!!! x-ray records catalogue is as under the radar as it is rich and ahead of its time. releasing between 1992 and 1994, most of the label s outputs were produced by raymond castoldi. although people primarily know castoldi for being the music director and organist in madison square garden, he also has a lesser known chapter of his life. in the early 1990s, raymond released 6 eps on his imprint x-ray records. by coupling his musical education with a four-on-the-floor club pattern, castoldi managed to create a jazzy vibe with spaceous sounds and keyboard jams, all coalescing into a relaxing atmosphere that would eventually become the signature sound of 90 s deep house. in partnership with castoldi, kalahari oyster cult delivers the goods once again: 11 tracks from the x-ray catalogue over a 3lp for your deejaying pleasure.

the cosmic pint glass keg series continues its secret vinyl only 10&#8243,,,,, addition, pressed to 200 copies. this time daniel t supplies the dancefloor fun times by adding some tropical funk to maricopa s ascent and turning it into some mutant disco party jam. on the flip miskotom adds a hefty dollop of atmosphere to the already atmospheric volcanic glass to provide a stunningly laid back finish. get these while they re hot!

moto music goes always its own way. there is no time, no limits, no compromise, its just pure and honest. this time with the crazy guy and his dog, t.c.white, also known as robert crash! 250 copies initial press!

we follow up our debut release by stl with a dancefloor oriented ep by scotsman cain. for those new to cain, a regular on highlife records (a sub-label of huntleys & palmers), you have been missing out. he�s known for fusing his love of traditional music from around the world with infectiously rhythmic drum pattern writing, stand-out melodies and futuristic bass work. and this release is no different. seeing as we are a record label based in the middle east, cain jumped on the opportunity to dig for arabic influenced drums and rhythms to build the ep around. the results are dope! and just in time for the summer season.

south african house and synth-funk from the kwaito era by the legendary senyaka kekana. the unexpected deep house jam bayanyonyoba (1993) and the illustrious soul song dont judge me bad (1987) are big rh favorites. original copies are absolutely impossible to find, now released on 12inch for the first time. beautiful sleeve by stenze quo! esa williams i had the pleasure of performing alongside senyaka at the alexander theatre, johannesburg back in 2012 which would have probably been his last most iconic gig before his passing in 2015. these two tracks really showcase the sounds of south africa around the early to late 80�s, the influences from american synth pop and house that would then lead later into many of these records being played at the wrong speed which ultimately became the original kwaito sound from south africa

limited edition of 500 copies on one-sided, red coloured 10 inch vinyl.
calypso! calypso! two rare high-speed calypso instrumentals from the vault of miss pottinger, including a wicked cut of 1928 cuban jazz classic el manisero aka peanut vendor. it�s jump up time when baba brooks plays ska-lip-so!

summer has not officially kicked in yet but antinote�s new addition to its roster will sure soundtrack perfectly its upcoming warm nights: encapsulating the teenage dream of an endless summer, 18 rays is the moniker behind which some of the labels most steady fixtures gave a try at recording music together, somewhere straight in the heart of paris 18th arrondissement.

garrett came from the inside of his own mind, from within a home recording studio somewhere on planet earth. the private life of creative awareness and the music captured here is the visceral offering to all outside. every one of us has a private life. this is garrett�s... big tip!

following the �frequency vs atkins � mind merge lp� (march 2017), featuring the collaboration between orlando voorn and juan atkins, italian label out-er (out electronic recordings) welcomes long standing detroit producer terrence dixon for a 21 track triple vinyl pack �12.000 miles of twilight�, out in july 2017. this is dixon�s fifth album and follows his last �badge of honor� released back in 2013. the legend has been putting out material since the mid -nineties. recognized worldwide for his visionary, futuristic sound, dixon unites ages of inspiration traversing diverse musical styles including electro, jazz and minimal sci-fi techno. this overall hypnotic approach can also be seen in his parallel project population one, which appeared on out-er respectively in early 2016 with two-tracker solo �temporary insanity ep�, as well as in late 2016 with �temporary insanity remixes� which saw the label offering reinterpretations from cosmin trg, pangaea, voiski and label co-founder simone gatto. �12.000 miles of twilight� remains an experimental techno asset offering a non-linear, emotionally absorbing journey into the singular experimental edge of the detroit artist, pulling the listener in all kind of directions from the opening track to the closing finale.

hand-picked selection of tracks by uk s negative response in this initial limited run of 300 discs. negative response is a diy minimal synth project that formed in 1980. they self-released 3 cassettes from 1981-1983 as well as playing a number of gigs from 82-85. the tracks embody a very melancholy atmosphere reinforced by their arsenal of early electronic analogue equipment. this collection will certainly appeal to fans of early bedroom synth artists such as john bender and other diy home recording moguls of the era. all tracks remastered from cassette by martin bowes at the cage, uk.

randomer is back at once again for l.i.e.s. and again delivers the goods. taking the entire a-side is smoking, and it does exactly that as it s a full on club fueled rugged electro cut that does the job straight up and down. velvet opens the b-side on a different note building huge tension with its buried rave chords waiting just for the right moment for the drums to drop, a proper club beast if used at the right time. rye closes it out taking it in the other direction with tribal drums and voices in tow driving it home. massive!

1985, restored from a vintage vinyl copy (masters were lost long time ago in chicago...) copies sold for 0. on the youtube thread for the track a cousin of t. woodard says they pressed 2.500 copies of this - but that seems hard to believe unless they didnt sell and got recycled at trax and/or were simply thrown out, as this rarely show up anywhere. this is a very early and simple track which sums up the new and experimental sounds of early 1985 along with tracks such as jesse sanders on & on and funkin keith funkin with the drums. basic early house music that havent lost any of its relevance.

medical records in collaboration with our friends at crispy nuggets blog are happy to reissue a very obscure australian gem from the 1980s. ironing music were a three piece band from brisbane. they originally formed in 1984 as a result of their collective love for new order, human league and eventually jean michel jarre and cabaret voltaire. comprised of bass and electic guitar, yamaha dx-7, melodica and an 808, they recorded a 12- single as their sole outpt in 1985 in a limited run of 250 copies (obviously excruciatingly rare now!). it was recorded in their bedroom studio with at teac 4 track. the video clip for the -hit- shopping bag women was played on several national and local television music shows. they also recorded demos in hopes of landing a lp deal which unfortunately didn t attract any takers at the time. they actually only played 3 gigs and were forced to disband after one of their members fell ill in 1986. the lp presented here included the original 4 track single as well as hand picked demos which nicely congeal to form a well rounded lp documenting the band s brief existence. they can best be described as lo-fi synth pop with an emphasis on excellent pop songs and interesting synth/instrument arrangements. the first track shopping bag women is infectiously catchy and just screams to be worn out in the club. fans of early to mid 80s synth pop and new romantic will fall in love. the tracks have been lovingly remastered by martin bowes at the cage, london. features original reproduction of the front cover painting. presented in a limited edition on 180gram vinyl.

medical records continues it s fascination with all things mark van hoen this time presenting the sole album release by autocreation entitled mettle . autocreation was formed in 1992 when mark van hoen was roomates in west london with the other members kevin hector and tara patterson. kevin and tara as dj s at the university of london, tara had recorded with the hafler trio prior to this the 3 lived in an apartment block that was full of acid house devotees, djs, and house producers. the 3 friends spent a lot of time in cutting-edge london clubs which inspired and influenced their music. a remix they worked on - seefeel s -plainsong- became the blueprint the autocreation sound, as well as feeding back into seefeel s sound on their own subsequent material. autocreation were heavily influcenced by contemporary dub techno such as basic channel, mika vanio as well as more pure techno such as kirk degiorgio and jeff mills. they recorded the album in late 1993, sandwiched between the recording of van hoen s locust album weathered well and his collaboration with seefeel s darren seymour aurobindo:involution . the album notably features heavy use of modular synthesizers (aries 300, digisound 80 and others), quite unique for a techno record of the time. the album was released on the orb s label inter-modo on cd only - directly following the orb s collaboration with robert fripp (ffwd). artwork was designed by the designers republic - responsible for the vast majority of warp records catalog and various releases by the orb. the album is a dark, brooding ambient techno masterpiece. similar in vein to locust s weathered well but more techno/idm genre compliant that made it at times dance floor compatible. for this special edition (first time on vinyl), the album is expanded to a double lp featuring bonus tracks. the jacket is a gatefold featuring a montage of photos in the gatefold. specially remastered by mark van hoen. presented on limited edition high quality double 160-gram classic black vinyl. for fans of early locust, dark ambient techno, and early 90s dance floor friendly idm.

nice price deal !!! special restock ! ! fourth volume in the sucessful wildcard ep series, features the jacob london duo, this time joined by renowned freak luke solomon who brings his own influences to the proceedings, a1 is devos >whip it<, slowed and reworked in contemporary house style

after building their reputation as a force for positivity in the berlin dance scene, berlin bass collective have looked amongst their ranks to find two producers with the talent to reflect their tried and tested ethos which has been setting dance floors alight across berlin and the uk. built from a palette consisting of raw, low-fidelity found sound, obscure disco reworking and original bass lines these tracks are built to function as well underneath the mirrorball of a packed dance floor as they are kicking back at a friend�s house party.
on the a, brian ring draws on his immense knowledge of the disco and soul roots of house music. channeling the spirit of his night time dalliances as a resident of both the disco kiez and house of love parties in berlin, brian�s productions embody the philosophy that good music is music that gets people moving.
on the flip, bridge guy takes us into super chill with a collection of organic, lo-fi tracks that loop beautiful disco bass lines and vocals so sultry you will feel like you�re floating.

blackcash & theo get back at it with the latest in this series of funk soul party edits. pleasure bouncy lady is an amazing funk break track, produced by jazz legend wayne henderson of the crusaders. the intro break has been extended, and is one of the all time classic hip hop funk breaks. elements of this track were sampled on brand new funk by dj jazzy jeff & the fresh prince, word to the mother (land) by big daddy kane, and church by de la soul. whatnauts why cant people be colors too is a soul / r&b jam with another heavy break, as sampled by q-tip, pete rock, diamond d, dilla, and oh my god by a tribe called quest featuring busta rhymes.

as shadows pass as the name suggests, reflects on a sound that has been around for years yet not prevalent in the present era. shadows move and alter over time but their essence remains the same, as it is with the direction of asp and the philosophy of the music it represents.

from the italian dub duo babe roots comes the groups third vinyl release since their debut 7inch last year on the sardinian rohs imprint which sold out in record time. like the a-sides artwork suggests (a photo of the major league baseball pitcher doc ellis famous for pitching a no-hitter while on lsd), this record will take the listener on a trip. in classic babe roots fashion, each song was carefully crafted using traditional jamaican dub techniques, blending 90�s chain reaction / basic channel atmospheres and uk trip-hop elements. spiritual connection / brown walls aims to be their strongest release yet. us-based label visceral vibrations teams up with big horn sound (a sound system out of las vegas, nv) to provide a record worthy of any dub-heads collection, presented on 12inch vinyl and professionally mastered by beau thomas at teneightseven.

panic! at the disco präsentieren 2017 ein reissue ihres debütalbums »a fever you can�t sweat out«, und zwar auf vinyl.
das album erschien ursprünglich bereits am 27. september 2005, und zwar beim label decaydance records von fallout-boy-gründer pete wentz. dieser hatte zuvor demos der band gehört und nahm sie unter vertrag, noch bevor sie jemals live performt hatte.
aufgenommen wurden die 13 songs von »a fever you can�t sweat out« in den somd! studios in college park, maryland. für die produktion zeichnete matt squire (good charlotte, the used, taking back sunday) verantwortlich.
das album wurde ein kommerzieller erfolg. die zweite singleauskopplung »i write sins not tragedies« schaffte es in den usa bis in die top 10 der charts.

eli paperboy reed come and get it (2010 uk 12-track vinyl lp - having been hailed by critics and fans alike for his first album roll with you , us soul sensation eli -paperboy- reed returns with the follow-up, come and get it . the single of the same name is a blast of sheer soulful exuberance, a paean to love, lust and desire, bursting with horns, pounding drums and that sweet, sweet eli -paperboy- reed voice. it harks back to the 60 s sounds of classic motown and stax good-time recordings, the kind of floor-filler that would tear up the dancehalls of the northern soul scene across the uk).

summer might be on its way but we felt things were getting just a little too �nice� over at x-kalay hq. there�s been bare palm tree emojis flying around for time now and not enough hammers, sickles, cheap fags and adidas tracksuits m8.
next up for xk008 we present mysterious russian newcomer, diego tierres and his solar winds ep. based in st petersburg he�s served us up four of the toughest warehouse burners you�re likely to hear this side of the iron curtain. proper raw material, this is straight out the furnace, blow your doors off, no prisoners shit.

yoruba records is pleased to welcome oliver dollar and crazy p to the yoruba family with their first release on the label, loose beat. this sample-heavy jam is as groovy as they come, practically forcing you to dance! starting off with a warm, room-filling kick and lush, funky bassline, this track wastes no time getting down to business. the atmospheric keys draw you closer as the more subtle, layered percussive elements have you bobbing your head before you know it. while the sporadic vocals capture your attention and lock you in, the classic bluesy rhodes elevates this to peak time status, putting the dancefloor into a frenzy. already making waves, you�ll recognize this future yoruba classic all summer and beyond. for the first time featuring a beautiful, golden yoruba records logo etched into a full side of the vinyl, we hope you enjoy this release as much as we have enjoyed bringing it to you!

london star alexis raphael returns to hot creations with the dance floor killer it�s kinda jazzy, with fine french exports dan ghenacia and chris carrier teaming up to deliver the remix with electrifying results. title track it�s kinda jazzy is an ultimate peak time weapon. alexis explains how its a real melting pot of different musical influences that have inspired me over the years. there s everything from hip-hop to 90 s uk house and garage, jungle/drum and bass, upfront house and techno and, of course, jazz. on the flip dan ghenacia and chris carrier deliver a solid remix that keeps the pace, changing gear through trippy turns. last up, second original track strip off lays down the swing with sultry vocal slices. an influential player on the london scene, alexis raphael earned his stripes across the pirate radio stations of north and east london during the late 90s and early 00s and went on to hold residencies at legendary london clubs the cross and bagley�s. his first release spaceship was picked up by hot creations sub-label hot waves in 2011. since then, he�s had numerous releases and remixes on labels including jackathon jams, of unsound mind, avotre and get physical and not forgetting his anthem, i know. dan ghenacia is the undisputed kingpin of the paris underground scene, having founded and ran freak n�chic for seven years and now one of the three creative minds behind new label and b2b2b dj outfit apollonia. chris carrier is another heavy-weight from the french underground scene. together they have delivered some recent killer ep�s on appolonia, music for freaks and adult only.

for the first half of the twentieth century, ellis island stood as the gateway to america. for some twelve million people, it was their first encounter with the land they hoped to call home.
directed by acclaimed artist jr, ellis tells the story of one such migrant. starring robert de niro, the film winds its way through the crumbling hallways of the abandoned ellis island hospital complex, now home to jr�s unframed art installation. it�s a place that reverberates with the hopes and fears of those who passed through it, the echoes especially resonant today.
entwined with the narrative is a score composed by woodkid, performed and co-written by nils frahm. the delicate piano motifs of winter morning i culminate in a crescendo of strings, while the harmonium swells on the b-side are the foundation for de niro�s narration: an encomium for those who shaped modern america. there�s perhaps never been a more fitting time for this story, with all the proceeds going to the sea watch initiative, a non-profit charity dedicated to the protection and rescue of civilian refugees.
pressing on 180g vinyl, includes 12x12� foto booklet and download code.

the mojuba sublabel moves on to the next realm of music after delivering with sven weisemann - xine one of the most surprising and acclaimed albums of 2009. so now its the turn for goldwill. some of you might know these incredible talented guys from their first releases on liebedetail, musik gewinnt freunde, wasnotwas or einmaleins. so what can we say about this release, if you liked jc freaks you will love the sound of goldwill! its that magic combination of sounding fresh and not forgetting about the traditional old school feel at the same time, which makes the tracks so special! so check out the convincing tunes and keep in mind: the future looks golden!

!! coloured vinyl !! killekill sublabel
�umwelt�s 12inch �� city� from 1999 was one of the most impressive 12inches i had at that time and i played the shit out of it. it was dark and very emotional, it was abstract but also driving at the same time. this was 1999 though, before discogs and before facebook and all the other platforms people have now to do research on artists they like and follow their work. at that time it was the record shop � and that was it. nobody knew this guy though, and i didn�t get my hands on any of the following releases, so in my world there was no follow-up to this record ever and i thought it would remain a one-off gem in my record box. until by some coincident i recently discovered he was still around and had actually released numerous releases in the meantime. i was very excited and contacted him straight away and ended up booking him for krake festival in the same year. undoubtedly his set was one of the best of the whole festival! he took the roof off the place with his mix of raw electro, industrial and rave and everybody was talking about it afterwards, saying it was the highlight of the festival! talking to him i learnt, that most of the tracks he played were his own, mostly unreleased. he produces without computers, all his tracks are single takes, there is no editing, no mixing afterwards, he only has a stereo track recording which is what it is. he owns a cutting machine which he uses to cut dubplates from his tracks, which he then plays out during his sets. this whole information about this very unique artistic approach just killed it for me, and since working with him was so nice as well, i asked him for a demo for killekill and its labels and was hoping for tracks i could make a great 12&#8243,, of. i got 14 tracks and after weeks of trying to pick the best, i finally realized i held one of the best electro albums ever in my hand � banging beats and the balls to go big and epic, subtle melodies, drama, funk � this album has got it all, and what�s most important, the music on it is the exact opposite of so much other music nowadays: it is emotional, it tells a story, it is easily recognizable and it is not interchangeable. it�s just umwelt.� nico deuster

here comes argoman, the antihero of disco music. inspired by the 1960s b movie super hero argoman, the name literally means lazy man, however its also a combination of three italian producers names, who started the project about one year ago. the track chimicalissimo merges the vibrant rhythms of disco with the emotional approach of modern electronic music. its a peak-time dancefloor banger completely produced with analog synths and drum machines. the tune is a proper voyage between syncopated rhythms and heavy basslines soaked with synth melodies that often recall idm progressions. the dub version gives more space to a melancholic piano melody that culminates through analog arpeggios to an unstoppable build. black spuma remix finally turns the track into a slow burning disco monster.

never one to rest, our pal the revenge has been busy as always. his latest lp as 6th borough project find your rhythm recently dropped on roar groove, he created a beautifully delicate remix of auntie flos waiting for a (woman), had a change of scenery relocating from scotland to denmark and his collab ep with dirt crew, flush with nachtbraker remixes was one of our biggest records of 2016! amongst the action he�s taken the time and a more in yer face approach to write us his latest ep, a four-tracker of proper club tracks. every night brims with raucous disco energy. the french filter house reminiscent gems strings shimmer and funk horns hit heavy, a jam destined to wear holes in shoes. grit attends to the easy-going disco grooves we love so much from the revenge, plenty of shake and soul its overflowing with good-mood energy. b-side opener never learn gives us a glimpse of the darker end of the revenge�s spectrum. subby toms rumble, tweaked out synths bleep and slide and delayed key stabs shift the party into smoke hazed, underground rave mode. the closing track krokodille brings that bass n electro gritty booming sound! the acidic lead wraps around sturdy drums. straight forward with plenty of kick, what an ending to a high quality ep!

rune returns on his own drum island imprint, this time very ably assisted by uk house turned ambient ambassador chris coco weekend billionaires, in its original form is a delightfully lolloping balearic builder. the chris coco sunshine mix immerses those guitar licks and synth pads in a sea of dubbed out, ultra-violet light. already rumoured to be included on harvey s eagerly awaited mercury rising comp. anton klint (tryck & ton / public possession) steps up on the flip with a no-less psychedelic, but decidedly more laser-lit interpretation. finally alta lab wraps things up with a pacier interpretation, housing up the elements into a hypnotic, emotive rendition

with his new release the polish transatlantyk sails into - as yet uncharted - waters of the lol- fi breakbeat house scene to bring you the debut of dj stoner dad. not much is known about the man behind the nickname, except that he is a dj, a dad and that he likes getting his hits from the bong on during the infamously long warsaw afterparties. the -raw romantics ep- showcases his own take on the deeply saturated, smokey and breakbeat-infused house genre. fake strings is a certified banger alluring the dancefloor with a great combo of rolling bass, squashed kicks and hats, grimy, atmospheric pads and a bits of spoken word thrown in. magic phunk brings that break again and for a good measure. drums are floating over an ocean worth of blazing pads, liquid synths, acid riffs, pillowy, yet dirty chords and whatever else dj stoner dad could lay his hands on at the time. iv is a full frontal ambient jam, with little bits of wandering drums coming into the picture at the very end. finally v brings cinematic influences over slightly uneasy slow groove.

australias superbreak crew return with their 2nd release this time bother j teams up with aston agassi for a funky 4 tracker. superbreak has released a number of singles on their own self-titled imprint, and have set their sights on breathing new life into dusty obscure soul funk disco and boogie nuggets. superbreak s dj style reflect their productions, the all action, diversity and the constant surprises at every turn, is where its true strength lies, combining slo-mo boogie, groove laden disco, quality house, 70s funk rock and party funk/boogie and always adept at reading the crowd thanks to combined decades plus experience behind the decks, they pride themselves on getting the crowd moving, whether they re into boogie bombs, sleazy deep house, party funk or deep house/disco.

onwards and downwards t.a.r s debut vinyl release takes rarefied deeper into a world of distortion, compression and the macabre. bon ding ding time for round three!

a sublime slice of boogie-funk, alec mansion has steadily gained the status of a crate-digging classic. accordingly, it has been near-impossible to unearth a physical copy in good condition for many years. be with is delighted to present the first ever vinyl reissue, remastered in time to grace the discerning terraces and boat parties of the coming summer months. originally released in 1983, the lp arrived with impeccable credentials programming duties were handled by dan lacksman (the brains behind telex, the belgian kraftwerk) whilst production came from marc moulin (of jazz-rock fusion heroes placebo). at the time its merits were mainly praised by radio and studio heads. today, mansions masterpiece is lauded by boogie aficionados from liege to los angeles.

following the success of �ride� with miss kittin, eminent sci+tec founder dubfire returns with another chaos-conjuring techno composition. previously the sole-preserve of his epic sense-blurring hybrid show, dubfire is finally unleashing �dust devil�� his first solo release in several years, �dust devil� is all about precision momentum. a move that dubfire�s made his signature, you can physically feel movement and destination throughout. especially as we reach the short breakdown where the riff revolves faster and higher, providing space for the echoed stabs that whirl and twist around you intensely. as the drums re-ignite, the riff is suddenly converted into groove energy as the jack-minded persistence brings the elements back together with pure focus. this is what ali has to say� �this was an instrumental i had done that i wasn�t quite sure what to do with. it wasn�t strong enough for a lead single and it always felt as though there was something missing, perhaps a spoken or sung vocal. so i sort of put it out of my mind until it was time to compile the music for the hybrid show back in the summer of 2013. once i had the backbone of the set list, along with the visual look, there seemed to be a more defined mood and look. and when i happened upon this track again it seemed to have been tailor-made for this show. it was also nice to insert something no one had heard before to break things up a bit.

it took me a couple of years get invited to christophe de groot�s (aka circadian rhythms) homebase, and a couple more years to dive into his sonic archive. but time tells and basic moves 02 is what came out. the two tracks were recorded at earguard studio in brussels around 1996, at a moment when his interest was moving away from club music towards other golden musical horizons. �frequency� is a macro tech-house track in mid tempo.
i�m super happy i could archive it on wax because we almost fucked up the master dat tape by blowing up the player during a marathon listening session at his place. we had to open the device, unroll the tape across his house (full of records) and fold it back into the mini dat cassette. after a few hours and twenty metres of tape, the problem was solved and the tracks archived: �a dose of authenticity at a time of post-counter-cultural stagnation�. �house speaker call� originated in proto-techno forms. christophe never sees techno as a type of music but as a process. as a producer, collector and deejay he always dives deep into authentic forms of electronic music. deg�s antic personality shines out in the middle of the harsh beat-driven electro/techno track like a hopeful melody passing by on its elliptic orbit. tune your cells into his vibrations and get ready for these two timeless club tracks.

bottom forty s fifth release and second vinyl press showcases two french producers living and banging the drums in berlin, a long time bottom forty favorite, la fraicheur, teamed up with veteran producer and leonizer record label ownerleonard de leonard. la fraicheur, a producer of emotional and story-telling minimal techno, is seen here paired with leonard de leonard to turn up the heat on our first club-banger release track, -afraid of the groove-. la fraicheur and leonard de leonard beat the hell out of their analog elektron to lay out a relentless whipping melody that demands a twirling dance floor while a classic minimal bass line, rhythm and -she s uh-fraid of the groove- sample keep this track dark, dirty and underground. in a beautiful contrast to the heart-pounding a-side, flip to the b-side for -une place au soleil-. literally translated as -a place in the sun-, the saying is more about conveying the emotion of your hard work is putting you in a good place in life . -une place au soleil- is a gorgeous deep house track filled with teasingly melodic stabs and subtle hardware sounds that come and go, crashing on the record like powerful but soothing waves on the hot beach sands. while -afraid of the groove- may twist a peak-hour dance floor into a frenzy, -une place au soleil- will entrance them in the after hours, reminding dancers why electronic music is so beautiful and why dance floors can carry so much emotional release.

following the edge & void, french producer and goldmin music label owner romain lanteaume aka einka delivers his first album to waken doubt in one.

neon finger strikes back! release number four starring midnight runners is here! a full time ultra delicate piece of disco-funk and boogie where the indonesian band, headlined by munir, will take our minds away. a mandatory release for all weird funk lovers.

sharif laffrey is one of the great unsung heroes of detroit s dance music scene, having been instrumental in putting on parties in the motor city for many years and spinning records in all kinds of legendary spots. when he s not busy promoting, laffrey also finds time to turn out productions under aliases such as quadrant and maersk. primarily though, his recent work has been under his own name for the likes of love on the rocks and discos capablanca, who he returns to here with a single sided sure shot entitled always. it s a heated, jacking club track that screams of laffrey s detroit roots, with an early house thrust and wild 80s-style sampling that will set the party alight.

nothing would be possible without ryhtm. from a heartbeat to a tough bass line, every part of music is linked to the strength of rhythm.gregory louis, aka esss, understood this a long time ago. as part of the cutting edge of the french house music scene at the end of the 1990s, he experienced electronic music before the digital music revolution, and kept a fascination for the authentic analog sound, its warmth and its texture.inspired by this era of time and his love for indie music, esss was born. esss is a tribute to those years and revisits the fundamentals of indie funk through electro songs and sounds, cross bredding them with influential and special touches from electronic legends -john carpenter- and -giorgio moroder-. stay tuned, esss is coming